document.write('\x3cmeta http-equiv=\x22x-dns-prefetch-control\x22 content=\x22off\x22/\x3e\x3col class=\x22tumblr_posts\x22\x3e\x0a    \x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a        \x0a        \x0a        \x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_audio_post\x22\x3e\x0a                \x3cdiv class=\x22tumblr_audio_player\x22\x3e\x0a                    \x3cscript type=\x22text/javascript\x22 language=\x22javascript\x22 src=\x22http://assets.tumblr.com/javascript/tumblelog.js?720\x22\x3e\x3c/script\x3e\x3cspan id=\x22audio_player_14571548576\x22\x3e[\x3ca href=\x22http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash\x22 target=\x22_blank\x22\x3eFlash 9\x3c/a\x3e is required to listen to audio.]\x3c/span\x3e\x3cscript type=\x22text/javascript\x22\x3ereplaceIfFlash(9,\x22audio_player_14571548576\x22,\'\\x3cdiv class=\\x22audio_player\\x22\\x3e\x3cembed type=\x22application/x-shockwave-flash\x22 src=\x22http://assets.tumblr.com/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/14571548576/tumblr_lwkh3kMRNu1qdwut1\x26color=FFFFFF\x22 height=\x2227\x22 width=\x22207\x22 quality=\x22best\x22 wmode=\x22opaque\x22\x3e\x3c/embed\x3e\\x3c/div\\x3e\')\x3c/script\x3e\x0a                \x3c/div\x3e\x0a                \x0a                \x0a                    \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a                        \x3cp\x3e\x3cspan\x3e\u266a\u00a0\x3c/span\x3eceiling\x3c/p\x3e\x0a                    \x3c/div\x3e\x0a                \x0a            \x3c/li\x3e\x0a        \x0a\x0a                        \x0a    \x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_link_post\x22\x3e\x0a                \x3ca href=\x22http://adambrillhart.com/_exterior/domus/Domus%20949%20-%20Manuale%20Boutique%20Hotel%20small.pdf\x22 class=\x22tumblr_link\x22 \x3eBoutique Hotel Manual in Domus 949\x3c/a\x3e\x0a                \x0a                \x0a                    \x3cdiv class=\x22tumblr_description\x22\x3e\x0a                        \x3cp\x3e\x3cspan\x3eManuale Boutique Hotel, Domus, pp. 2-11 July/August 2011\x3c/span\x3e\x3cbr/\x3e\x3cspan\x3eA micro-history of the milestones and taxonomy of the boutique hotel.\x3c/span\x3e\x3c/p\x3e\x0a                    \x3c/div\x3e\x0a                \x0a            \x3c/li\x3e\x0a        \x0a        \x0a        \x0a        \x0a        \x0a\x0a                        \x0a    \x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a        \x0a        \x0a        \x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_audio_post\x22\x3e\x0a                \x3cdiv class=\x22tumblr_audio_player\x22\x3e\x0a                    \x3cspan id=\x22audio_player_7004144337\x22\x3e[\x3ca href=\x22http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash\x22 target=\x22_blank\x22\x3eFlash 9\x3c/a\x3e is required to listen to audio.]\x3c/span\x3e\x3cscript type=\x22text/javascript\x22\x3ereplaceIfFlash(9,\x22audio_player_7004144337\x22,\'\\x3cdiv class=\\x22audio_player\\x22\\x3e\x3cembed type=\x22application/x-shockwave-flash\x22 src=\x22http://assets.tumblr.com/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/7004144337/tumblr_lnhmvnZnSY1qdwut1\x26color=FFFFFF\x22 height=\x2227\x22 width=\x22207\x22 quality=\x22best\x22 wmode=\x22opaque\x22\x3e\x3c/embed\x3e\\x3c/div\\x3e\')\x3c/script\x3e\x0a                \x3c/div\x3e\x0a                \x0a                \x0a                    \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a                        \x3cp\x3e\x3cspan\x3e\u266a marisol\x3c/span\x3e\x3c/p\x3e\x0a                    \x3c/div\x3e\x0a                \x0a            \x3c/li\x3e\x0a        \x0a\x0a                        \x0a    \x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a        \x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_video_post\x22\x3e\x0a                \x3cdiv class=\x22tumblr_video\x22\x3e\x0a                    \x0a                \x3c/div\x3e\x0a                \x0a                \x0a                    \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a                        \x3cp\x3e\x3ciframe src=\x22http://player.vimeo.com/video/25184421?title=0\x26amp;byline=0\x26amp;portrait=0\x22 width=\x22400\x22 height=\x22300\x22 frameborder=\x220\x22\x3e\x3c/iframe\x3e\x3c/p\x3e\x0a\x3cp\x3e\x3ca href=\x22http://vimeo.com/25184421\x22\x3eDavis Brody Bond Aedas, \x26#8220;Organism\x26#8221; \x26amp; \x26#8220;Passerby\x26#8221;\x3c/a\x3e from \x3ca href=\x22http://vimeo.com/user1945740\x22\x3eadam.brillhart\x3c/a\x3e on \x3ca href=\x22http://vimeo.com\x22\x3eVimeo\x3c/a\x3e.\x3c/p\x3e\x0a\x3cp\x3eProduced with \x3ca href=\x22http://www.khaniacurtis.com/\x22\x3eKhania Curtis\x3c/a\x3e for \x3cem\x3eIDES\x3c/em\x3e - a social event which surfaces mid-month at DBB\x3cem\x3eA\x3c/em\x3e to shine light on creative content produced in-house. The above videos are samples from the inaugural event\x26#8217;s installation which consisted of two phases of video in a continuous loop. \x26#8220;Organism\x26#8221; simulates collective frenetic behavior without deviating too far from our office\x26#8217;s established control locus. \x26#8220;Passerby\x26#8221; highlights the individual and is accompanied by sound which is produced through extrapolating tonal values from patterns in the background images.\u00a0\x3c/p\x3e\x0a                    \x3c/div\x3e\x0a                \x0a            \x3c/li\x3e\x0a        \x0a        \x0a        \x0a\x0a                        \x0a    \x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a        \x0a        \x0a        \x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_audio_post\x22\x3e\x0a                \x3cdiv class=\x22tumblr_audio_player\x22\x3e\x0a                    \x3cspan id=\x22audio_player_4064272985\x22\x3e[\x3ca href=\x22http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash\x22 target=\x22_blank\x22\x3eFlash 9\x3c/a\x3e is required to listen to audio.]\x3c/span\x3e\x3cscript type=\x22text/javascript\x22\x3ereplaceIfFlash(9,\x22audio_player_4064272985\x22,\'\\x3cdiv class=\\x22audio_player\\x22\\x3e\x3cembed type=\x22application/x-shockwave-flash\x22 src=\x22http://assets.tumblr.com/swf/audio_player.swf?audio_file=http://www.tumblr.com/audio_file/4064272985/tumblr_liki46Hdyk1qdwut1\x26color=FFFFFF\x22 height=\x2227\x22 width=\x22207\x22 quality=\x22best\x22 wmode=\x22opaque\x22\x3e\x3c/embed\x3e\\x3c/div\\x3e\')\x3c/script\x3e\x0a                \x3c/div\x3e\x0a                \x0a                \x0a                    \x3cdiv class=\x22tumblr_caption\x22\x3e\x0a                        \x3cp\x3e\x3cspan\x3e\u266a vapor\x3c/span\x3e\x3c/p\x3e\x0a                    \x3c/div\x3e\x0a                \x0a            \x3c/li\x3e\x0a        \x0a\x0a                        \x0a    \x0a        \x0a            \x3cli class=\x22tumblr_post tumblr_text_post\x22\x3e\x0a                \x0a                    \x3cdiv class=\x22tumblr_title\x22\x3eGilliam, Arcade Fire, Media\x3c/div\x3e\x0a                \x0a                \x0a                \x3cdiv class=\x22tumblr_body\x22\x3e\x0a                    \x3cp\x3e\x3cspan\x3e\x3cspan\x3e\u00a0\x3c/span\x3e\x3c/span\x3e\x3cimg src=\x22http://www.medienkunstnetz.de/assets/img/data/2239/bild.jpg\x22 height=\x22161\x22 width=\x22215\x22 alt=\x22Hiroshi Sugimoto\'s photographic series \x26quot;theaters\x26quot;  \x22/\x3e\x3c/p\x3e\x0a\x3cp\x3eMovie palaces featuring elaborate rococo interiors emerged as a new type of viewing platform in pre-war cities around the globe. Through synchronizing exposure time and projection time in these spaces, photographer Hiroshi Sugimoto preserves the duration of an entire film in a single shot.\u00a0\u00a0In Sugimoto\x26#8217;s photographs, states of saturation and partial illumination are juxtaposed and we are left bearing the context of the spectacle rather than the undecipherable content of the screen itself. As an idealized space, the saturated screen is alien to its environment. We can imagine the audience in this space - an estranged branch of modernity voluntarily subjecting themselves to the discomfort of reconciliation.\u00a0\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3e\x3cspan\x3eRather, the spaces remain empty much like the stadium in Madrid in which the 1987\u00a0\x3c/span\x3eEuropean Cup\u00a0was fought. The game was broadcast internationally though the \x26#8220;real\x26#8221; event, as Jean Baudrillard stated,\u00a0occurred\u00a0in a vacuum, stripped of it context and visible only from afar, televisually.\u00a0\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3e\x3cimg src=\x22http://farm5.static.flickr.com/4115/4857953034_6f9b53258f_b.jpg\x22 alt=\x22Estadio Santiago Bernabeu \x22 width=\x22215\x22 height=\x22181\x22/\x3e\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3eThe stadium has a similar relationship to its urban periphery as Sugimoto\x26#8217;s screens have to the ornamentation of pre-war movie palaces. \u00a0\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3e\x3cspan\x3eIn anticipation of directo\x3c/span\x3er Terry Gilliam\x26#8217;s collaboration\x3cspan\x3e\u00a0\x3c/span\x3e\x3cspan\x3ewith musical artist Arcade Fire for their performance of \x26#8220;The Suburbs\x26#8221; tomorrow night, one can imagine the audience\u00a0\x3cem\x3esuspended between broadcasts.\x3c/em\x3e\u00a0\x3c/span\x3eBetween Gilliam\x26#8217;s youtube video and the vacuum tubes in the band\x26#8217;s amplifiers, is Madison Square Garden destined to be rendered another vacuum? Where would you prefer to be, or does it really matter?\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3eMedia events at large are becoming increasingly\u00a0ulterior to spatiality as curatorial and\u00a0representational\u00a0processes are being used to validate their occupation of time. The stratification of these processes occurs immediately, assuming cryptographic if not subliminal forms. Once merely intuitive, the content of such events has become regulated, accessible only through subscriptive lenses - i.e. 3d glasses, contractual screens.\u00a0The saturation wanes as we are elapsed in its presence.\u00a0We are no longer at the \x26#8220;receiving end\x26#8221; of such information; Rather, we are amidst layers with objective goals of transformation, representation, and perpetuation.\u00a0\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3eThe promise of this media event seems to be in its ability to disturb its periphery.\u00a0The music carries a portentous tone. Certainly, if we read into the lyrics, it has the potential to subvert\u00a0the spectator/tribe relation engendered by venues like MSG but the density of evocative gestures in the music goes without saying. The music will certainly resonate within the suburbs despite the fact that it is a far cry from the band\x26#8217;s tour destinations. By virtue of this phenomenal event, points of contention will arise from the suburban rituals it liberates. Emergent tribes and media conglomerates alike will project their desires on these newly exposed places to tell a similar story a different way.\x3c/p\x3e\x0a\x3cp class=\x22werktext\x22\x3esee the event tomorrow night at 10 here\u00a0\x3ca href=\x22http://www.youtube.com/arcadefirevevo\x22\x3e\x3ca href=\x22http://www.youtube.com/arcadefirevevo\x22\x3ehttp://www.youtube.com/arcadefirevevo\x3c/a\x3e\x3c/a\x3e\x3c/p\x3e\x0a                \x3c/div\x3e\x0a            \x3c/li\x3e\x0a        \x0a\x0a        \x0a\x0a        \x0a\x0a        \x0a        \x0a        \x0a        \x0a        \x0a\x0a                        \x0a    \x0a\x3c/ol\x3e');